Soon, Dredd is framed for murder and exiled to the wastelands, and judges start to die all over the city. Rico, Dredd's former best friend, and a psychotic murderer escapes from a high security prison with some help from a fascistic leader of the judges who is bent on securing power and a new world order with himself in charge. Dredd is also mentor to an entire generation of judges, including the brilliant Hershey (Lane). Dredd is the best of the best, a very tough cop who knows method, theory, and has an incorrigible sense of ethics and dedication to the law. Dredd is a "street judge" - and the judges are the closest thing to a government in a post-apocalyptic future where nuclear war has concentrated all of the world's population into mega-cities - hotbeds of crime and chaos, surrounded by mutagenic wastelands called The Cursed Earth. To their credit, the Return of Rico story arc was rightfully recognized as good film material - it involves more emotional content than the usual Dredd fare, and actually required fewer outrageous special effects, than, say, the many Judge Death arcs might have. Any Dredd-based film would necessitate a huge special effects budget, and most of them, even with the best special effects available, would likely be nearly impossible to pull off and might look ridiculous. The production team chose a story arc which I was never very fond of, but one of the more do-able ones to be sure. The producers had very big shoes to fill, and though I am in the minority here, I believe they did well. Hence, although I like Stallone in this film, it's not only misleading but a little insulting to call this 'a Stallone film'. It freely traversed from film noir to flat-out wild sci-fi action to nihilistic hard justice, and did so with style and originality rarely seen in the comic medium. With story arcs varying from 2 pages worth of panels to 4 or 5 episodes, and sometimes multi-threaded plots, this violent, political and tough cyberpunk version of Dirty Harry set some pretty high standards for adult comic authorship both in its native UK and in the USA, once the imports started flowing in.
Eagle Comics 2000 AD character Judge Dredd was one of the most original, entertaining and intelligently written and interestingly drawn sci-fi comics of recent times. On the flip-side, when the most consistent complaint you can find among IMDb psychofants is "HE TOOK OFF HIS HELMET!", you really have to wonder if the film is quite as bad as so many believe. The film should have been titled "Judge Dredd" - even in the packaging - and the emphasis for the marketing of this film should have been less Stallone, more content. Take a look at the cover of the DVD package: "Stallone: Judge Dredd". This film, and its generally poor reception is a good example of what happens when huge marketing mistakes are made.
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